Bounty hunter Samus Aran’s descent into the xenomorph hive would benefit from this lonely auditory composition. (hands off Castlevania though). *Original post appeared on iO9 blog.
Brothers and Sisters, hope your city is included. If not, might be time to plan a road trip, even though they haven’t announced dates yet.
RADIOHEAD CONFIRMS NORTH AMERICAN TOUR MARKETS
With In Rainbows having debuted today at #1 on the U.S. charts, RADIOHEAD has confirmed the cities to be visited on the band’s upcoming North American tour.
The tour will take place in two segments, one prior to and one following the recently announced summer tour of the UK and Europe.
The cities IN ALPHABETICAL ORDER are:
Exact dates and venues will be announced at a later date.
Not to worry gay men of Canada! If you have received your discbox from W.A.S.T.E. and have been keeping tabs on the Ad Busters litigation then you won’t need to donate any organs anyway!
Here it is, laid out on my red Ikea rug (that the wife picked out)!
Here is another angle not much different from the first but still worthy of posting a second, almost identical pick. BTW – the vinyl is eatable, edible, you can eat the vinyl in the event of a natural or nuclear holocaust. (not really but its so thick and chunky and sounds like a full meal!) “Bangers and Mash” is a super awesome b-side. Many boners have been popped for this one!
My discbox was sent to work instead of my house and we had a 2 week factory shutdown and it sat here and languished without being opened or listened to. Alas, it was on my desk yesterday, all brown cardboard and protected. I will take pictures tonight and post them. The download was nice but that fucking shit quality 128kbps does not do this masterpiece justice. Oh, and the extra disc is just as good, in case you were wondering. More on that later. Back to the listening…
You too can look ten years younger – in 60 minutes no less! Tha’s righ’, REDUCE wrinkles, REDUCE crow’s feet, REDUCE laugh lines! Your gun turret mounted Toyota Yaris can get something like 40 miles per gallon in the city AND with its 50 caliber machine gun, trips to the drive thru have never been FASTER…As if all the static on the net and snow of television weren’t enough…Condoleezza warns against Armenia Bill, a bill that declares the massacre of 1.5 million Armenians to be genocide…Turkey, of course disputes the claim [like 1.5 million Armenians just dropped dead from the ‘chaos and confusion’ of the collapsing Ottoman Empire during WWI] and the guys in System of A Down must be tugging furiously at their elaborate goatees and cursing Rice for not being more granular. What could you expect from a country named after a bird that drowns in the rain from looking up during a storm?
Just another example of imperialism and the power of the military industrial complex sweeping unsightly ‘dust’ under the atrocity carpet, where ghosts of Darfur await release, 800,000 dead Iraqi civilians from the illegal invasion await justice and Americans prep for the x-mas buying season. This little capitalist piggy laments; It’ll be a tight year dear…might not be able to get Jimmy that new X-Box 360…poor little Sally won’t be getting that iPod Touch…we’ve got this foreclosure that is inevitable and it looks like the guys down in the factory are going to walk off the job again cause all of our parts that were made in China have been recalled…it’s a rough existence to be middle class and brown/black/yellow/mostly white Dear, yes – rough indeed. The new Radiohead will be in my inbox this morning…tha’s nice honey, burn a couple copies for the carpool group….
I got a prompt from Radiohead’s W.A.S.T.E. this morning with a link to the downloadable version of their 7th studio LP and felt this was a benchmark in my life as a music consumer. ‘Pay whatever you want,’ is a concept I could get used to. I’m just crossing my fingers hoping that this is the end times for major record labels and all their vile, exhausted schemes.
Nothings stuck out immediately, well, not truthfully. “Bodysnatchers” completely destroys in all it’s ripping guitar awesomeness. It’s going to be really hard to find any fault on this gem of rock beauty. Like their best records, Radiohead get into your heart by surgically removing your skepticism. Radiohead make records, unlike popular music artists, who make singles, which is why the release of In Rainbows is so exciting to an audiophile like myself. Though with some scrutiny this particular album seems more song oriented than their past bouts.
Looking forward to December when the ‘Disc Box’ ships, almost like I’ll have a new opportunity to rediscover In Rainbows on vinyl. I love vinyl, its warmth, that hiss, some day my children will listen to old records on my Benjamin Miracord (once owned by their Grandfather) and scratch their heads in wonder asking; ‘why does it sound so scratchy?’ I’ll laugh, as I put the needle down on my 180 gram copy of In Rainbows and say, ‘that’s the sound of authenticity kids! Listen to how amazing “Nude” sounds, the music is practically naked! And by the way, side 2 is always better.’
The reverb drenched effects of ‘All I Need’ fortifies this ethereal track, anchoring it once the drums kick in, washed out crash cymbals punctuate Thom’s melancholy warble. The folkiness of “Faust Arp” with orchestral accents and flat picked acoustic guitar break up what would seem like side 1 from side 2, (if this was vinyl) quite nicely.
Track 7, “Reckoner” comes through the speakers like some lost child, clapping hands, shaking tambourine, stomping bells, grinning solemnly. Johnny Greenwoods got that whole arpeggio clarity thing nailed. And Thom. He who spells his name with a silent ‘H’ wails beautifully along a syncopated beat. This song is the centerpiece, one that ties past efforts together with the current effort. You can hear bits of Pablo/Kid A/OK Computer and Hail to the Thief in this song.
In the interest of full disclosure, I’m of the type that has enjoyed all of their releases and has relished each for the unique way each was composed and released. My initial, immediate impression is that I like the second half of the record better. The second half doesn’t seem quite as esoteric as the first. Thom’s lyrics are more informed; at least they seem so on “House of Cards.” Where it seems the last 8 years of a nightmare world where Bush is the president twice over and Iran could be the next target of a ‘coalition of the willing’ could be coming to an end. A hopeful tune on a Radiohead album? Yes! But it is a song that is hopeful in that dreary, sweater wearing British way. A real house of cards can’t stand up to strong winds, maybe collective outrage fatigue has hit its tipping point and people are ready to actually put their foot down and say ‘enough!’
“Jigsaw Falling Into Place,” is a driving tune. That acoustic guitar leads the rhythm, pushes the beat, its percussive tonality compliments the eeriness of Thom’s ghostly backup vocal track. A song with a million layers. A song with a dozen implications. The lyrics, like black suited paramilitary troops, invading the urban squalor of the mind through the canals of the ears to whisper answers in the form of questions. Its nice to know Radiohead can inspire creative thinking without bludgeoning listeners with concepts such as global warming, er…while singing about climate change.
I’m anxious for the vinyl to ship. It is annoying listening to this band without some sort of visual guide for the songs. I hate not being able to sit down and open a gatefold read lyrics to every song and get totally immersed in the world they’ve created. I’m happy to report that I will be receiving the ‘Disc box’ with its book, art and two vinyl’s (one In Rainbows and the other is just ‘other’ they didn’t fit on the album). I like the way Radiohead define their art and appreciate the way they defy consumer culture by delivering a product worth every penny.
So as you wade through the static of the ever present TV Eye, ignore the man behind the curtain and take a listen to In Rainbows. [fuck, sorry, I just wrote that then realized how lame a reference Oz was] My biggest complaint about this record, or rather digital release – no cover art! WTF?
This is a post I saw on punknews.org. This is important especially in regards to Radioheads recent move to free agent land. It’d be great to see this whole major label machine asphixiate and die. It’s already been beaten by blue by greed and a consistency to fall short on every innovation save pitch correct.
Nine Inch Nails has parted ways with their label. The band has proven a thorn in the side of their major label for the past few years, leaking their own material, publicly admonishing them and encouraging fans to download their records. Frontman/mastermind Trent Reznor made the announcement today:
I’ve waited a LONG time to be able to make the following announcement: as of right now Nine Inch Nails is a totally free agent, free of any recording contract with any label.
I have been under recording contracts for 18 years and have watched the business radically mutate from one thing to something inherently very different and it gives me great pleasure to be able to finally have a direct relationship with the audience as I see fit and appropriate. Look for some announcements in the near future regarding 2008. Exciting times, indeed.
When good bands do good things good things can happen. It’ll be interesting to watch these major labels crumble faster and faster. I predict that the major label system will have changed completely by the end of 2008, there is way too much money to be lost not for it to change and if it doesn’t, well then I’ll toast to their demise. Perpetual mediocrity can’t live forever, just like Rap Metal and screamo.