Against Me!: an interview with Tom Gabel

Against Me! started out as a solo acoustic project by singer and principal songwriter Tom Gabel. His penchant for blue collar lyrics, peppered with folk punk musings on everyday life built a solid base for what many fans and critics consider paramount among Against Me!’s strong points: great lyrics and amazing songs.

Against Me is made up of vocalist/guitarist Tom Gabel, guitarist/vocalist James Bowman, drummer Warren Oakes and bassist Andrew Seward whose collective energy makes for one of the most engaging live bands yours truly has ever seen.  The consistency and passion that AM! performs with is inspiring, leading crowds into a frenzy of sing-a-long choruses while fists pump the air in rock and roll solidarity.

I have witnessed the power of Against Me live more than a dozen times over the past year.  It’s scary. Not like watching The Shining scary but scary like I can’t honestly say I’ve ever been let down by their performance – scary.  I know what you are thinking, ‘more bullshit hype from a sycophantic music journalist asshole,’ but seriously this band kills it every time.  However, the most impressive time I saw AM! destroy the stage was in Austin at some sweatbox of a bar, where the stage was only a foot off the ground and folks in the front row could reach out and touch Tom or James or Andy between songs. Check out the pics! They did a spot-on cover of The Replacements’ “Bastards of Young” for their finale. It was fucking epic. I geeked out! Wrung my sweat soaked t-shirt, drunkenly proclaimed my love for them to Vanessa (AM!’s publicist) and left, wondering if I’d ever bear witness to such greatness again.

Do you know what is the easiest part of anonymous shit talking in this so-called scene is? Never having to own up to your words, no matter how irrelevant or hurtful.  Suffice to say, accountability is sacrosanct when it comes to holding George Bush responsible for the country’s problems but in the punk ‘scene’ any self-proclaimed anarchist will be boo-hoo-hooing about a band selling out, even though that band has pretty much had to live off of scraps while touring non-stop for years with barely a nod for their efforts or a viable way to pay their bills.  Though they’ve never publicly accounted for their switch from indie to major, nor felt it necessary to explain the motivation behind their decisions, New Wave is indictment enough against the machine their currently part of – an irony not lost on Gabel. AM!’s latest album and debut for Warner imprint label Sire New Wave,  will no doubt garner the Gainesville quartet at least 3 squares a day and some much needed national attention from the major label marketing machine (and hopefully enough revenue to buy that bio diesel tour bus and graduate out of the passenger van). Or not, cause that wouldn’t be punk enough.

There is of course the ever looming fear or assumption that the whole ‘record business’ is on the verge of collapse with the recent bankruptcy of Century Media imprint Abacus, Tower Records shutting its doors, V2 Records closing down and EMI merging Virgin and Capitol into the Capitol Music Group losing the smaller bands and dozens of staff from multiple divisions in the process.  Bands that have come up from the underground like Mastodon, Cursive and Against Me can make the rocky transition from obscurity to top of the dog pile in the ever-expanding genre classification wars.  While flavor of the moment bands can perform their ‘dance-y’ hit single off-key at Live Earth, looking like a muttoned chopped reincarnation of Chris Farley in slim-tapered women’s jeans and trucker hat, bands like Against Me! prepare for the release of New Wave after several long months of work with famed producer Butch Vig (Nirvana Nevermind, Smashing Pumpkins Siamese Dream, Garbage).

Tom is articulate and well spoken and though he is loathe to make any disparaging comments about the current state of music or his contemporaries he does take the optimistic approach, stating; “There will always be people who say ‘music is bad’ but you just have to know where to look to find the right stuff.”

Moving from Fat Wreck Chords to Warner Brothers was a big step for a band with fans as scrutinizing and judgmental as any grass roots built ‘DIY’ band with roots in the punk community. Of the label experience, Tom explains, “Its been a completely positive experience thus far. I’m trying not to be naïve about things and I know that the relationship can turn at any point but I’m sure the relationship hinges on if we meet their expectations of how successful we should be or whatever but that is a back and forth they have to meet our expectation s of how much they should work for us.” Reiterating, “I’m trying not to be naïve about things but thus far they like the record.”

“I think the record we made would not have been possible without him working on it and would have been a completely different record in all regards if we wouldn’t have worked with him. That’s both sonically and for the songwriting. I wrote 25 songs for this record and when I thought or we thought we were done Butch would be like, ‘no man, keep writing songs. And so without him being there saying that, (and I’ve never had anybody say that before) we would have stopped and I think some of the best songs came at the last moment. It was kind of like having, in a lot of ways, another member of the band. I think it takes a really special type of person to be able to let your guards down and let a total stranger into your group and let them dissect a song that you’ve written and give their opinion on it and take their opinion into consideration.” Adding with a laugh, “He’s a fucking nice person. He’s totally cool to be around. He’s the kind of person you want to be friends with. And he’s really talented.”

After an exhausting six month recording process, countless moaning from the vocal few in the punk ‘scene’ about moving to a major, they’ve kept New Wave ranked in the top ten on Smartpunk.com for the past three weeks for sales.  If there is a litmus test for success in this ever-changing consumer driven music climate it is your own fan base making a dent in sales and that is a good thing. And no matter what the future holds for Tom and Co. the fact they’ve worked so hard to get to where they are is what makes them such an engaging rock band.

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