Savages – Live on KEXP

Savages didn’t ask me what I wanted.

They weren’t concerned for my taste.

On Silence Yourselfe, the band channels Joy Division, Siouxsie and the Banshees and the Stooges.

It’s not so much what they are playing but how they are playing it. Those spaces between are coiled and taut.

I didn’t know I would fall in love with them. Their explosive aesthetic.

When I hear people, cloistered, terrified and bitter people make grand pronouncements stating that rock is a bloated corpse and  punk has been appropriated by genre fetishists, I take my fingers and plug my ears.

My alternative response: play this fucking record, Silence Yourself, loudly, in the foreground, till the ears begin to bleed a bit.

Savages don’t ask permission but I’ll grant them all they need.

Here, they liquify viewers with a performance on KEXP.

http://www.npr.org/event/music/184349634/savages-elegant-brutality-rendered-anything-but-silent?sc=fb&cc=fmp 

Spectres – Hunger – Howling Owl Records

ImageSpectres – Hunger E.P. – Howling Owl Records

 

Spectres have crafted another set of Ballardian soundscapes with their latest E.P., Hunger. The band lamented recently (via ablog link on Facebook) the woes of sharing a name with other bands who have a similar predilection to synonyms for “ghost.”

However, sound and execution are in their favor as both their debut Family and Hunger clearly set them apart sonically.

Spectres—not to be confused with the post-punk band of the same name from Vancouver B.C.—are a band studied in the fine art of noise and dynamics. Sure, there is a template: write a great hook then add clear, sonorous interludes punctuated with breathy vocals and delay, square note progressions followed by what basically amounts to the premeditated murdering-the-fuck-out-of-guitars crescendos.

Unpacking these songs is half the appeal of listening. Once you scrape off that top layer of distortion, fuzz and delay, you’re left with a band that is exceedingly capable of writing catchy rock songs.

“Maybe You Shouldn’t be Living Here” is the standout track on Hunger. Crucial in that it draws four of the five song E.P. into sharper focus.

Each subsequent listen extends and enhances the songs. Hunger is layered and complex. Filled with wall-of-sound percussion and Daydream Nation-esque guitars, Hunger is the sound of the Mayan apocalypse in stereo. Or earbuds. Choose your poison.

Get the second pressing from Howling Owl. http://www.howlingowlrecords.bigcartel.com/product/howl19-spectres-hunger-12-ep-pre-order-ltd-to-100-cdr-download-code-release-date-11-3-13

“Rattle the Cage” by Spectres 

Road Runner, Road Runner

Image

Boston Marathon.

Here comes the finish line.

Gatorade, congratulations and successive, dual explosions greet the runners.

Bloody spectators are dragged from the debris.

Mile marker 26 is dedicated to the victims of the Newtown massacre.

26 for the number of dead.

Twitter erupts.

@so_and_so tweets: “I saw people’s legs blown off. Horrific. Explosions.”

Two IED’s were placed near the finish line.

Each explosive device, believed to be a type of pressure cooker bomb, packed with metal ball bearings.

BB’s.

Vine, a social video service depicts an 8-second loop of the finish line.

Silent explosion. Runners in motion. Grand stands pushed into the street.

Concussion displaces people to make room for air.

A thin, bandy-legged marathoner turns his head in mid stride. Mid-explosion. And I’m instantly nauseous watching his legs buckle.

I can’t comprehend the sequence of images without the sound. Seems hyper-real.

By the third viewing my stomach has settled but I remind myself not to click on it again.

Later, having picked my daughter up from childcare we navigate residential roads to our home, I hear “dual decapitation.”

Legs missing below the knees.

I curse loudly, abruptly as we pass the park.

The emergency room in Boston is inundated with hundreds of injured.

Shards of glass, metal embedded in flesh.

Areas around the mouth and nose are blackened with soot from breathing searing hot air.

Victims need immediate attention before the soft tissue swells.

Fuck! I say aloud, waiting for the light to turn.

Checking the rearview mirror, I see the question in my daughter’s eyes.

We go to park?

Yeah, lets!

At the park kids occupy swings, climb stairs, mount the slide.

Chase each other.

Sitting on a bench, a Dad scours the screen of his smart phone.

Is he consuming all that data?

Two mom’s sip from paper Starbucks cups.

A horn prompts me through the now green light.

I scan the street for parking.

An old trauma begins to fester and slither its way to the surface.

Police and FBI query passengers flying out of Logan International for photos and videos of the scene.

This will be a crowd-sourced investigation.

Earlier in the day, scanning Facebook, Reuters, and Twitter I see what will become the iconic image.

In the foreground, a sidewalk is heavy with spectators, craning their necks, peering down the street as marathoners in sneakers and numbered jerseys run toward a ball of orange flame.

Boylston Street.

At the park we climb the play structure.

The entire thing is made of form-molded plastic.

Steel frame encased in thick coated, rubberized paint.

They’ve done away with bark, gravel and concrete at parks.

No more rail ties, chain-link or sheet metal.

Engineering a safer, risk-free environment for play.

They take the piss out of everything.

Here, recycled tires are shredded and turned into a buoyant surface for kids to run, spin, jump and skin their knees on.

Together we ride the dual slide.

Hold hands and laugh.

Several nights ago, I try watching the Falling Man documentary about 9/11.

Streaming on Hulu.

How can you watch this shit?

My wife asks, visibly angry as the opening sequence shows flight 175 disappearing in the South Tower.

Five minutes into the doc.

Suddenly, I’m standing in the Lakewood Library.

I’m twenty-four.

Several librarians I’ve become acquainted with while working for Jefferson County  sob audibly.

I enjoyed my work there. Mowing lawns. Planting flowers. Fixing sprinklers.

On the doc I see flight 175 burrowing into the tower on live television.

Simultaneously I smell the 2-cycle fuel and fresh cut grass.

Taste the Camel Light on my tongue.

There, back in that room (that space and time) of the library, we watch both towers crumble.

I turn off the television, disgusted.

With whom?

Myself.

Weeping quietly on the couch I gaze at the blank screen.

Standing, I move across the floor to the hallway and do something I haven’t done since she was a newborn and open the door to my daughter’s room, peering in, eyes adjusting to the dim green glow of the turtle nightlight, I see her, fawn legs curled beneath, breathing steadily.

Back at the park, fortified by the laughter of children.

The sound offers relief from the bombardment of the newscast.

Other parents seem to smile too easily.

Is every reaction scripted?

My stomach tightens. Heart contracts.

At bedtime I read Green Eggs and Ham.

My daughter talks to the characters as I read.

Sam, Seuss’s persistent interlocutor/pusher gets a SoCal inflected surfer dude accent.

The nameless character hounded by Sam, “That Sam I Am, That Sam I Am” sounds like Tom Brokaw.

Rolling off the inflection at the end of each denial.

My daughter’s imagination astonishes me.

She pretends to drive the train into the sea.

Asks to ride in the boat with the goat.

Kiss goodnight.

Hug?

Hug.

My wife is glued to her phone.

Mine is sitting on the couch.

I pick it up. The weight reassuring. Finger the screen to life.

Why am I angry?

Shouldn’t I be documenting this?

Writing everything down as it occurs?

The few pieces I’ve had published deal almost exclusively with technology and terror.

Killer drones.

IED’s.

Violence.

This kind of extremity is in my wheelhouse.

Instead of writing I flip through the channels.

Each episode features a woman—actress—in middle age with a Botox-plastic-surgery face, crying.

In the morning, nothing new is discovered.

No suspects.

Nor claims by a terror organization.

But the story has taken on a patina.

Speculations abound.

Challenges: be a hawk, not a dove.

Platitudes are issued.

“Thoughts and prayers…”

Polite xenophobia.

“Please, don’t be Arabs or Muslims.”

The death toll in Boston is 3, including an 8-year old boy.

Many say that is low considering.

Tilt their heads, you know, in that way people tilt their heads when faced with mortality or drink cup sizes.

Venti or Grande?

More victims listed in critical condition.

Meanwhile, 9 are confirmed dead in Peshawar, Pakistan, killed in a suicide bombing during a political rally.

Syrian MiG-23′s bomb the Qaboun neighborhood to rubble.

It’s morning in America.

A bipartisan commission convened by the Constitution Project finds members of the Bush administration complicit in allowing and sanctioning the practice of torture.

Soon, a library will be named in honor of former President George W. Bush.

I’m sure he’ll weep at the ceremony.

Violence in America is idiosyncratic.

R.I.P. Chi Cheng

Image

In the past, you were loved

In the present, you are remembered

In the future, we shall think fondly of you

 

It is sad to hear about Chi’s passing.

He was kind, articulate and soft spoken.

I was fortunate to have had the opportunity to interview him.

Here is a link to the interview, which originally appeared on themusicedge.com and I reposted here. This piece was a turning point in my writing, no doubt inspired by Chi, his work as a musician, humanitarian and writer.

http://wp.me/p6zJ0-13

Thought: I wonder if Eros (album Deftones were recording when Chi was injured from the accident)?

Cognitive Dissonance – 10 Years Later

524315_10200432189459888_1060581395_n

This was initially posted on Facebook in a civil discourse with a friend.

Out of context. Disembodied. Mutilated.

It appears to resemble some sort of complete thought. Concept.

If you pay attention to the world, our plight worsens daily.

Pollution. Famine. Violence. Societal malaise.

What will cure us of our collective trauma? 

 

Facebooking Discourse

Certainly a disconnection of a fabricated moral standard is a symptom of the American/Western hegemonic structure, as such those symptoms—9/11, profligacy, security—are the easiest-to-digest for invasion, preemption and occupation of a resource rich country.

9/11. An asymmetric rationalization of a moment embedded in the collective consumption of reactionary culture.

Falling Man >|< Fall in man

Reactions equate to rhetoric, i.e. “we have to fight the terrorists wherever they may hide,” or worse, apathy “It’s a fucked up world altogether.”

SO GIVE UP 

As a corporatocracy, America’s interests are purely profit: oil, private security contracts, construction etc, not to usurp the post-Soviet Islamist rule of the Taliban (yes they were awful, just look at the pictures of civilized Kabul! Some of the Afghans have blue eyes!). Record profits abound. The apparatus of control is gilded in perpetuity. Crisis’ increase exponentially even after public discovery of fraud “#nowmd” and manipulation of information. Still, as our warrior brothers and sisters return home from the global conflict, damaged and exposed to a domestic nightmare of ghost towns and economic decrepititude, we can be assured that somehow, enexplicably, the effort was worth the risk and sacrifice.

Screen Shot 2013-04-10 at 3.51.26 PM

We exacted our revenge on the enemy who was living comfortably in a palatial estate miles from Islamabad, surrounded by Pakistani military elite. By using extrajudicial execution “while condemning the practice by other nations, we succumb to our own hubris. Of Afghans, disconnection from people suffering works much better (sells much better) on paper (or Facebook/Twitter/Huffpo/FauxNews/Obama&Bush teleprompters) to a public increasingly less interested in truth.

The difficult realization is that we’ve apparently succeeded and simultaneously failed.

“Mission Accomplished-ish”

[right, right, left, left, up, down, up, down, A, B, to start all over right?]

We can’t withdraw, pullout, mid-coitus, we’re vested in making the best of the situation, finish on the backs of main street and the shrinking middle class.

We can’t sustain the approach much longer either, unless Afghanistan will serve—and this is mere speculation—as our proxy staging area for a war with a nuclear armed Pakistan. More automated combat. Reliance on computers to determine hostiles.

America is indeed exceptional. In our military and security spending. In our continued pollution of third world countries via proxy manufacturing for cheaper labor and the unregulated environmental legislation of those countries and by extension, our governments massive military and budgetary support of an Israeli neo-apartheid.

This system enabled us to supplant democracy plant pliable leadership in North Africa and the Middle East for the past four decades. But as we’ve witnessed, through our mediated American perspective, people often tire of being served the same meal for too long. We are idle and conveniently diplomatic while Assad murders Syrian’s indiscriminately.

Perhaps, to “see it from both sides” detracts from the complexity. There isn’t necessarily a discernable side when faced with the ultimatum of “you’re either with us or with the terrorists.”

Post-Obama HOPE conspiracy election buzz, do we embrace the new normal?

Drones. Disposition Matrix. Targeted Killing and other euphemisms for the tactics used in our perpetual global war on terror.

Screen Shot 2013-04-10 at 3.52.07 PM

Reading [slash] Performance at San Diego State

Reading Performance at San Diego Statue

They’ve given me a stage and a microphone. I’m going to share my insights with those gathered. My findings are inconclusive, volatile and arguably, worthy of note.

Dave Grohl’s Keynote at SXSW

Look, if this doesn’t make you excited about making music, listening to music, talking about music, writing about music, looking at new instruments or figuring out that the one thing that makes all the other things disappear into the background, your hell on earth must be a lonely place.